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Title : Through the Looking Glass: Remodelista
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Through the Looking Glass: Remodelista

A Rococo painting by French artist Fragonard. Rococo art, by nature, was elaborate, playful, filled in the same way as delicate colours, and often witty.Rococo is an artistic style which originated in the 18th century in France. Often referred to merely as tardy Baroque, the Rococo developed from the Baroque artistic movement. Whilst it kept several characteristics of the indigenous style, including exaggeration and ornate themes, it was next more playful and asymmetrical. The Rococo is associated taking into account the reign of French king Louis XV (Louis XIV is associated following the Baroque, whilst Louis XVI in the same way as Neoclassicism, albeit his style started off as Rococo at the dawn of reign).[1] Rococo's popularity was at its summit towards the middle of the 18th century, fading out by the stop in favour of Neoclassicism.Rococo art and architecture was feminine, graceful, florid and ornate. Creamy and pastel-like colours were used for paintings, unlike the darker shades in Baroque art. Religion and politics were no longer necessarily the core theme of Rococo art, unlike the Baroque, and ordinary dynamism became more commonly represented. In such a way, Rococo art revolved as regards themes such as love, romance, fun, landscapes, and mere portraits. Additionally, far Eastern themes became well-liked in Rococo, especially Chinoiserie. well-known Rococo artists add together Boucher, Watteau and Fragonard, with several others.The Rococo has been the focus of much discussion, analysis and criticism by art historians throughout history. It has been criticised higher than the years for innate over-the-top, superficial and frivolous; in such a way, the term has even been used derogatively in various points of history. Nevertheless, Rococo art and theatre has as well as conventional praise for the elegance,[2] "beauty", and "charm" of its artwork.

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